’14th’, de Ava DuVernay, lidera as indicações do Critics Choice Documentary Awards deste ano com seis nomeações, incluindo a de Melhor Documentário em Longa-Metragem.
O filme, que serve como acompanhante de ’13th’, lançado em 2016 pela aclamada realizadora, teve sua estreia no Festival de Nova York e conquistou sólidos 83% de aprovação no Rotten Tomatoes ao explorar a décima quarta emenda da Constituição dos Estados Unidos – que estabelece que todas as pessoas nascidas ou naturalizadas no país são cidadãos legalizados.
Logo atrás, com cinco indicações cada, estão: ‘You Can See Everything’, de Nathan Fielder e Lance Oppenheim, uma análise sobre Elizabeth Holmes; ‘Nuisance Bear’, de Gabriela Osio Vanden e Jack Weisman, sobre a migração de ursos-polares; ‘Once Upon a Time in Harlem’, de David Greaves, um retrato da história cultural negra feito a partir de imagens de arquivo; e ‘Rehearsals for a Revolution’, documentário histórico iraniano de Pegah Ahangarani.
A Netflix lidera entre todas as distribuidoras, com 17 indicações — quase o dobro das nove conquistadas pela Neon, que ficou em segundo lugar.
Os vencedores da premiação serão revelados em 8 de novembro.
Confira a lista completa abaixo:
MELHOR DOCUMENTÁRIO EM LONGA-METRAGEM
“14th” (Netflix)
“Everest: The Other Side” (National Geographic Documentary Films)
“Everybody to Kenmure Street” (Icarus Films)
“The History of Concrete” (Magnolia Pictures)
“Musk” (Bleecker Street)
“Naza” (The Guardian / MK2 Films)
“Once Upon a Time in Harlem” (Neon)
“Rehearsals for a Revolution” (Sony Pictures Classics)
“Remake” (Music Box Films)
“You Can See Everything” (A24)
MELHOR DIREÇÃO
Yuval Abraham e Rachel Szor — “Naza” (The Guardian / MK2 Films)
Felipe Bustos Sierra — “Everybody to Kenmure Street” (Icarus Films)
Ava DuVernay — “14th” (Netflix)
Nathan Fielder e Lance Oppenheim — “You Can See Everything” (A24)
Ross McElwee — “Remake” (Music Box Films)
Orlando von Einsiedel — “The Cycle of Love” (Variance Films)
MELHOR DOCUMENTÁRIO DE ESTREIA
David Greaves — “Once Upon a Time in Harlem” (Neon)
Baz Luhrmann — “EPiC: Elvis Presley in Concert” (Neon)
Gabriela Osio Vanden e Jack Weisman — “Nuisance Bear” (Mubi)
Xander Robin — “The Python Hunt” (Oscilloscope Laboratories)
Poh Si Teng — “American Doctor” (Watermelon Pictures)
John Wilson — “The History of Concrete” (Magnolia Pictures)
MELHOR FOTOGRAFIA
David Bolen — “You Can See Everything” (A24)
David Bolen e Matt Clegg — “The Python Hunt” (Oscilloscope Laboratories)
Sophie Darlington — “Lion” (National Geographic)
Franklin Dow — “The Cycle of Love” (Variance Films)
Gabriela Osio Vanden e Jack Weisman — “Nuisance Bear” (Mubi)
Clair Popkin, Jimmy Chin e Christopher Murphy — “Everest: The Other Side” (National Geographic Documentary Films)
MELHOR MONTAGEM
Spencer Averick — “14th” (Netflix)
Anne de Mare e Lynn True — “Once Upon a Time in Harlem” (Neon)
Adam Locke-Norton — “You Can See Everything” (A24)
Colin Monie — “Everybody to Kenmure Street” (Icarus Films)
Jonathan Redmond — “EPiC: Elvis Presley in Concert” (Neon)
Cori Wapnowska — “The History of Concrete” (Magnolia Pictures)
MELHOR TRILHA SONORA
Ari Balouzian — “You Can See Everything” (A24)
Dan Deacon — “Time and Water” (National Geographic Documentary Films)
Caroline Ho — “Everest: The Other Side” (National Geographic Documentary Films)
Jason Moran — “14th” (Netflix)
Cristóbal Tapia de Veer — “Nuisance Bear” (Mubi)
Hans Zimmer, Niccolò Pacella e George Hutson Warren — “Lion” (National Geographic)
MELHOR NARRAÇÃO
“The AI Doc: Or How I Became an Apocaloptimist” (Focus Features) — Escrito por Daniel Roher e Caroline Lindy; Narrado por Daniel Roher e Caroline Lindy
“The History of Concrete” (Magnolia Pictures) — Escrito por John Wilson; Narrado por John Wilson
“Lorne” (Focus Features) — Escrito por Morgan Neville, Alan Lowe e Jake Hostetter; Narrado por Chris Parnell
“Nuisance Bear” (Mubi) — Escrito por Mike Tunalaaq Gibbons; Narrado por Mike Tunalaaq Gibbons
“Rehearsals for a Revolution” (Sony Pictures Classics) — Escrito por Pegah Ahangarani; Narrado por Pegah Ahangarani
“Remake” (Music Box Films) — Escrito por Ross McElwee; Narrado por Ross McElwee
MELHOR DOCUMENTÁRIO DE ARQUIVO
“EPiC: Elvis Presley in Concert” (Neon)
“Making Marie Antoinette” (Mubi)
“Man on the Run” (Amazon MGM Studios)
“Once Upon a Time in Harlem” (Neon)
“Rehearsals for a Revolution” (Sony Pictures Classics)
“Remake” (Music Box Films)
MELHOR DOCUMENTÁRIO HISTÓRICO
“14th” (Netflix)
“Once Upon a Time in Harlem” (Neon)
“Rehearsals for a Revolution” (Sony Pictures Classics)
“SCTV: The Greatest Show You’ve Never Heard Of” (Netflix)
“Soul Patrol” (Kino Lorber)
“Turning Point: Generation 9/11″ (Netflix)
MELHOR DOCUMENTÁRIO BIOGRÁFICO
“John Candy: I Like Me” (Prime Video)
“Love + War” (National Geographic)
“Mr. Scorsese” (Apple TV)
“My Mom Jayne: A Film by Mariska Hargitay” (HBO Max)
“Pee-wee as Himself” (HBO Max)
“Stiller & Meara: Nothing Is Lost” (Apple TV)
MELHOR DOCUMENTÁRIO MUSICAL
“Earth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World)” (HBO Max)
“EPiC: Elvis Presley in Concert” (Neon)
“Man on the Run” (Amazon MGM Studios)
“Oasis: Don’t Look Back in Anger” (Walt Disney Studios Motion Pictures)
“Peter Asher: Everywhere Man” (Greenwich Entertainment)
“Sara Bareilles: Good Grief” (Group Effort Films / Naked Edge Films)
MELHOR DOCUMENTÁRIO POLÍTICO
“14th” (Netflix)
“American Doctor” (Watermelon Pictures)
“Ask E. Jean” (Abramorama)
“Everybody to Kenmure Street” (Icarus Films)
“Musk” (Bleecker Street)
“NAZA” (The Guardian / MK2 Films)
“Union Town” (Cabin Creek Films)
MELHOR DOCUMENTÁRIO CIENTÍFICO
“The AI Doc: Or How I Became an Apocaloptimist” (Focus Features)
“Ghost Elephants” (National Geographic Documentary Films)
“Lion” (National Geographic)
“Nuisance Bear” (Mubi)
“Secrets of the Bees” (National Geographic)
“Time and Water” (National Geographic Documentary Films)
MELHOR DOCUMENTÁRIO ESPORTIVO
“The Dynasty: UConn Huskies” (Apple TV)
“Everest: The Other Side” (National Geographic Documentary Films)
“Give Me the Ball!” (ESPN)
“Rafa” (Netflix)
“Standout: The Ben Kjar Story” (Samuel Goldwyn Films)
“Tyson” (Netflix)
MELHOR DOCUMENTÁRIO TRUE CRIME
“Baby Doe” (Narrative Distribution)
“Funny Money: The Dane Cook Story” (Dark Star Pictures)
“The Idaho Murders: College Nightmare” (Netflix)
“A Killer Story” (HBO Max)
“Lost Women of Alaska” (Investigation Discovery)
“Murder in Glitterball City” (HBO Max)
MELHOR DOCUMENTÁRIO EM CURTA-METRAGEM
“The Baddest Speechwriter of All” (Netflix)
“A Derailment” (POV)
“Escalation” (Bonfire Films)
“Miller Night Football” (HBO Max)
“Oh Whale” (The New Yorker / Switchboard Magazine)
“The Second Life of Freddie Nole” (Sweet World Films)
“A Short Documentary About a Giant Pencil” (archilux)
“They’re Here” (Praxis Films)
MELHOR SÉRIE DOCUMENTAL LIMITADA
“9/11: Reunited” (National Geographic)
“The Dark Wizard” (HBO Max)
“The Dynasty: UConn Huskies” (Apple TV)
“High Horse: The Black Cowboy” (Peacock)
“Lion” (National Geographic)
“The Man Will Burn” (HBO Max)
“Rafa” (Netflix)
MELHOR SÉRIE DOCUMENTAL CONTÍNUA
“30 for 30″ (ESPN)
“American Masters” (PBS)
“America’s Sweethearts: Dallas Cowboys Cheerleaders” (Netflix)
“The Food That Built America” (History)
“Hazardous History with Henry Winkler” (History)
“Independent Lens” (PBS)
“Untold” (Netflix)
